Tuesday, May 5, 2020

Consider the dramatic significance of Act 3 Scene 4, The Banquet Scene Essay Example For Students

Consider the dramatic significance of Act 3 Scene 4, The Banquet Scene Essay The scene opens with Macbeth talking to the Lords at the banquet he has thrown to celebrate his coronation. The Lords thank him for this and then Macbeth then talks about how he would, mingle with society rather than be a dictator. In the BBC 2 stage production, the most striking aspects at the opening are that the banquet hall is very dark and only the top table is shown through the entire scene, so we really dont get the impression that its a proper banquet as such. Also Macbeth has an extremely dominating voice and the characterisation is quite befitting of a king. e appears to be a strong leader from our first impressions. In Polanskis film, there is much more artistic licence because the film isnt faced with the restrictions that a stage production is. As such, the banquet hall is will lit and the hall is filled with guests and slaves. Also there is bear bating in a characterisation of line 100, Approach thou like the rugged Russian bear. This is proof of the greater artistic licence that Polanskis version has, as they can even have live animals on set. A close up of Macbeth is used at this point showing him enjoying the scene, and this portrays the savagery of the human world. Macbeth is characterised as weaker than in the BBC2 version, and the actor is younger. Almost immediately the first murderer appears and starts to inform Macbeth of the murder they have committed on his behalf, in the privacy of an empty hall. The murderer tells Macbeth about how they (the murderers), dispatchd , Banquo, but how his son Fleance escaped their grasp. Macbeth is unhappy at this news (I had else been perfect; whole as marble, founded as the rock), but nevertheless he is pleased that Banquo is safe. The murderer departs as Lady Macbeth enters the hall with the promise from Macbeth of ,to-morrow, Well hear ourselves again. In Polanskis version the murderers are killed by Macbeths men and their blood soaked carcasses are dragged through the castle leaving the ground stained with the deed. This again points to the savagery of Macbeth. The play continues with Lady Macbeth telling off her husband for neglecting his guests. She says that the banquet has gone flat due to his absence and forces his return. On his return Lennox asks Macbeth to sit, but before he goes to do this, he addresses his guests about the absence of Banquo, performing what can only be described as a character assassination of him. He implies that Banquos absence is out of disrespect to his king, rather than any misfortune which has befallen him on his way, as Banquo is not the sort of person who would get himself into trouble easily. Ross agrees with his king and says, His absence, lays blame upon his promise. We immediately see however that Banquo is there in the form of a ghost, that only Macbeth is able to say. When Ross asks the king to grace the subjects with ,your royal company, Macbeth remarks that thetable is full, because at this point the ghost of Banquo has already entered and has taken Macbeths seat at the table. Lennox points to Macbeths reserved seat but Macbeth then says Where? , he sees that the seat is occupied. Lennox asks him, What is t that moves your highness? , and Macbeth realises that this is the ghost of Banquo who is sitting in his seat. In Polanskis production there is a physical manifestation of the ghost in Macbeths seat. It is a very graphic image and is meant to be disturbing; it again shows the greater artistic licence that is available to Polanski. In the BBC 2 production, the ghost is just an empty space which only Macbeth can see. This could possibly be more effective however for the viewer as he/she is forced to use their imagination to visualise the ghost and the imagination can be more powerful than a visual phenomenon. .ua4352e46f355259489a630116cb8d5c6 , .ua4352e46f355259489a630116cb8d5c6 .postImageUrl , .ua4352e46f355259489a630116cb8d5c6 .centered-text-area { min-height: 80px; position: relative; } .ua4352e46f355259489a630116cb8d5c6 , .ua4352e46f355259489a630116cb8d5c6:hover , .ua4352e46f355259489a630116cb8d5c6:visited , .ua4352e46f355259489a630116cb8d5c6:active { border:0!important; } .ua4352e46f355259489a630116cb8d5c6 .clearfix:after { content: ""; display: table; clear: both; } .ua4352e46f355259489a630116cb8d5c6 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ua4352e46f355259489a630116cb8d5c6:active , .ua4352e46f355259489a630116cb8d5c6:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ua4352e46f355259489a630116cb8d5c6 .centered-text-area { width: 100%; position: relative ; } .ua4352e46f355259489a630116cb8d5c6 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ua4352e46f355259489a630116cb8d5c6 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ua4352e46f355259489a630116cb8d5c6 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ua4352e46f355259489a630116cb8d5c6:hover .ctaButton { background-color: #34495E!important; } .ua4352e46f355259489a630116cb8d5c6 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ua4352e46f355259489a630116cb8d5c6 .ua4352e46f355259489a630116cb8d5c6-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ua4352e46f355259489a630116cb8d5c6:after { content: ""; display: block; clear: both; } READ: Star wars Episode I Summary EssayIt is at this point in the film version that Macbeth drops his goblet on the floor and immediately a servant falls to his knees to clear the spillage. This shows us the power of Macbeth, and more importantly it symbolises the spilling of blood that has dominated Macbeths rise to power. The slave wiping it up is symbolic of the way that Macbeth is able to cover up all that he has done. We see through Macbeths shouting at the ghost of Banquo that he still has guilt and that despite the fact that he has committed the most dreadful sins, he is still human. It could be said that Banquos ghost is a manifestation of all of Macbeths guilt. It is because of his humanity that he has the fit. Lady Macbeth is quick to make and excuse for her husbands shouting at the ghost of Banquo ( my lord is often thus, And hath been from his youth: pray you keep your seat). his shows her resourcefulness and ironically this is the last time we see her with her sanity. She appears strong and in control. In a previous scene we observed Lady Macbeth taunt her husband for being weak, and again the irony shows itself as she is the one who looses her sanity first. Lady Macbeth then brings her husband aside and tries to talk some sort of sense to him. She is very impatient and refers to the dagger that Macbeth claimed had led him to Duncan. She rubbishs his claim to have seen the ghost and calls him crazy. She then gets Macbeth to return to the banquet, (My worthy lord, Your noble friends do lack you). When Macbeth returns to the banquet, the ghost has disappeared, and he toasts his missing friend. This is to cover up any suspicions that people at the banquet may have about Banquos absence. There is an ironic juxtaposition in as far as as soon as Macbeth has finished his toast to his missing comrade, the ghost reappears. Macbeth is utterly appalled and he says ,Avaunt! and quit my sight! Let the earth hide thee! . This again shows us that Macbeth still has human qualities. Lady Macbeth tries to cover up again, but Macbeth continues his rant. In the BBC 2 version of Macbeth, there is a lot of tension built up through the fasting talking Macbeth. The actor makes animal like noises, which show the dehumanisation of Macbeth. When Macbeth finishes his rage with the words, Unreal mockery, hence! , the ghost vanishes and doesnt reappear again. Macbeth calms down and he says, I am a man again. Pray you, sit still. However the, most admird disorder, of Macbeths causes Lady Macbeth to send all the guests home. This is a turning point in both the play and Macbeths rule as king, and it shows the fine line between order and disorder. As soon as the hall has cleared, the epilogue of the scene begins. In the BBC2 version, this is were Macbeth really becomes dehumanised. His voice crescendos to a peak and then returns to animal like grunting noises. Macbeth asks his wife, What is the night? and his wife replies, Almost at odds with morning, which is which. This stems from the opening of the play with the fair is foul and foul is fair theme. This comment about the time is very symbolic. Just as the twighlight is in the sky as they speak, and dark is battling with the light of the morning, the forces of good and evil are duelling in Macbeths head. This is shown immediately when Macbeth asks whu Macduff wasnt present at the banquet. Macbeth is now targetting his comrade. Macbeth then talks about what he will do about the vision he had. He decides that he will go and see the witches, and when he says, And betimes I will-to the weird sisters:, he is accepting the evil that has infiltrated him. .u66abe7862b74a4241ef8ca9dbdf14110 , .u66abe7862b74a4241ef8ca9dbdf14110 .postImageUrl , .u66abe7862b74a4241ef8ca9dbdf14110 .centered-text-area { min-height: 80px; position: relative; } .u66abe7862b74a4241ef8ca9dbdf14110 , .u66abe7862b74a4241ef8ca9dbdf14110:hover , .u66abe7862b74a4241ef8ca9dbdf14110:visited , .u66abe7862b74a4241ef8ca9dbdf14110:active { border:0!important; } .u66abe7862b74a4241ef8ca9dbdf14110 .clearfix:after { content: ""; display: table; clear: both; } .u66abe7862b74a4241ef8ca9dbdf14110 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u66abe7862b74a4241ef8ca9dbdf14110:active , .u66abe7862b74a4241ef8ca9dbdf14110:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u66abe7862b74a4241ef8ca9dbdf14110 .centered-text-area { width: 100%; position: relative ; } .u66abe7862b74a4241ef8ca9dbdf14110 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u66abe7862b74a4241ef8ca9dbdf14110 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u66abe7862b74a4241ef8ca9dbdf14110 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u66abe7862b74a4241ef8ca9dbdf14110:hover .ctaButton { background-color: #34495E!important; } .u66abe7862b74a4241ef8ca9dbdf14110 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u66abe7862b74a4241ef8ca9dbdf14110 .u66abe7862b74a4241ef8ca9dbdf14110-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u66abe7862b74a4241ef8ca9dbdf14110:after { content: ""; display: block; clear: both; } READ: Ambiguity in Princess Mononoke EssayHe now thinks that it will be easier to continue with the blood shed, rather than seek redemption for the murders that he has already committed. e hints that there may be voices controlling him. Lady Macbeths response is one of worry, (You lack the season of all natures, sleep). This is a homely remedy rather than one which will make any real difference. Lady Macbeth cannot understand the evil any more, and she is out of her depth. This is the start of the breakdown of their relationship. The most chilling aspect of this scene comes right at the end. Macbeth says, We are but young in deed, and this shows us that there may be more heinous crimes to come in the play.

Medea monologue from the play by Euripides Essay Paper Example For Students

Medea monologue from the play by Euripides Essay Paper A monologue from the play by Euripides NOTE: This monologue is reprinted from The Plays of Euripides in English, vol. ii. Trans. Shelley Dean Milman. London: J.M. Dent Sons, 1922. MEDEA: O my sons! My sons! ye have a city and a house Where, leaving hapless me behind, without A mother ye for ever shall reside. But I to other realms an exile go, Ere any help from you I could derive, Or see you blest; the hymeneal pomp, The bride, the genial couch, for you adorn, And in these hands the kindled torch sustain. How wretched am I through my own perverseness! You, O my sons, I then in vain have nurtured, In vain have toiled, and, wasted with fatigue, Suffered the pregnant matron\s grievous throes. On you, in my afflictions, many hopes I founded erst: that ye with pious care Would foster my old age, and on the bier Extend me after deathmuch envied lot Of mortals; but these pleasing anxious thoughts Are vanished now; for, losing you, a life Of bitterness and anguish shall I lead. But as for you, my sons, with those dear eyes Fated no more your mother to behold, Hence are ye hastening to a world unknown. Why do ye gaze on me with such a look Of tenderness, or wherefore smile? for these Are your last smiles. Ah wretched, wretched me! What shall I do? My resolution fails. Sparkling with joy now I their looks have seen, My friends, I can no more. To those past schemes I bid adieu, and with me from this land My children will convey. Why should I cause A twofold portion of distress to fall On my own head, that I may grieve the sire By punishing his sons? This shall not be: Such counsels I dismiss. But in my purpose What means this change? Can I prefer derision, And with impunity permit the foe To \scape? My utmost courage I must rouse: For the suggestion of these tender thoughts Proceeds from an enervate heart. My sons, Enter the regal mansion. As for those Who deem that to be present were unholy While I the destined victims offer up, Let them see to it. This uplifted arm Shall never shrink. Alas! alas! my soul Commit not such a deed. Unhappy woman, Desist and spare thy children; we will live Together, they in foreign realms shall cheer Thy exile. No, by those avenging fiends Who dwell with Pluto in the realms beneath, This shall not be, nor will I ever leave My sons to be insulted by their foes. They certainly must die; since then they must, I bore and I will slay them: \tis a deed Resolved on, nor my purpose will I change. Full well I know that now the royal bride Wears on her head the magic diadem, And in the variegated robe expires: But, hurried on by fate, I tread a path Of utter wretchedness, and them will plunge Into one yet more wretched. To my sons Fain would I say: O stretch forth your right hands Ye children, for your mother to embrace. O dearest hands, ye lips to me most dear, Engaging features and ingenuous looks, May ye be blest, but in another world; For by the treacherous conduct of your sire Are ye bereft of all this earth bestowed. Farewell, sweet kissestender limbs, farewell! And fragrant breath! I never more can bear To look on you, my children. My afflictions Have conquered me; I now am well aware What crimes I venture on: but rage, the cause Of woes most grievous to the human race, Over my better reason hath prevailed.

Friday, April 24, 2020

Abrams Company Essay Essay Example

Abrams Company Essay Paper MANAGEMENT CONTROL SYSTEMS Lecturer : Supriyadi, Ph. D. Nama : Handy nugroho - No: 1157021 Case : Abrams Company Abrams’Company manufactured a wide variety of parts for use in automobiles, trucks, buses, and farm equipment. Abrams sold their product both to the OEMs and the wholesalers. top management is satisfied with their management systems and performance measurement scheme but they are three areas of concern that need to be discussed. * First, the transfer prices disagreements of parts sold by the product divisions to the AM division. Second, is in the product divisions too often tended to treat the AM division as a captive customer and in the performance measurement system. * Third, the excessive yearly inventory carried by both the AM division and the three product divisions. Strength The company has a clear management structure. The company has employed a bonus plan for employees. The AM Marketing division will input products form the other three divisions, and sell it to domestic and foreign market, it helps the company save cost when it input internal. Weaknesses Abrams’ business model weakness is that its divisions operate as independent companies. Furthermore, all of these profit centers, participate in an incentive compensation plan that the higher the participant is in the organizational hierarchy, the more â€Å"incentive points† he or she will receive based on division profit variance. The Abrams Company has three totally independent divisions, and the three divisions are lack of connection. The transactions between the three divisions dispute the transfer pricing. Case Analysis and Recommendation The Abrams case is about using profitability measures to evaluate profit centers. In EU companies it is more common to evaluate PCs with Income measures like RI and EVA. It is very difficult to find a relevant and fair capital base for the ROI measure. Abrams use book value for fixed assets which inflate the ROI measure as the assets age. The age and mix of assets also differs among divisions which give unfair measures. It is also easy for the divisions to manipulate the capital base at the end of the year. ROI based bonus may rob the future, who want to invest in assets if that reduce the bonus. We will write a custom essay sample on Abrams Company Essay specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Abrams Company Essay specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Abrams Company Essay specifically for you FOR ONLY $16.38 $13.9/page Hire Writer Recommendation to this company was to use RI or EVA instead of ROI and to control the investments separately using NPV and capital turnover measures. The bonus should be based on the budgeted income level, the RI target. The current transfer price system seems to work well with few disputes. Market prices are more used as a top-level for the TP. An advantage with cost base TP is that it will give all internal partners full information about the cost structure and you will avoid â€Å"upstream fixed costs† The problem with the inventory level cannot be controlled with ROI management. If the company change to RI/EVA it will be possible to to negotiate relevant inventory levels in the budget process. High inventory levels can also be managed with differentiated capital charges that will create high interest costs. The best way to control operational tasks is to use nonfinancial measures such as inventory turnover. Use nonfinancial measures to control the inventory levels. If it is an strategic issue you can connect this measure to the bonus system. In general, Abrams Company adopts the lowest cost, differentiation, market focus and ROI strategies to accomplish the organization’s goal. Furthermore, In order to implement the strategies the firm establishes its own management control systems. Suggestions  to  performance measurement  system: 1) ROI can be used combination with other performance measures to avoid the limitations of ROI. The company can establish a non-financial performance measurement system such as the balanced scorecard . With a good performance measurement system, the incentive compensation plan will be improved. 2) EVA ( Economic value added) can be used instead of ROI Suggestions to transfer pricing : a transfer price fixed by the top management in compliance with the AM division and the other divisions involved which could be revised when it is out of date. This fixed price could be adjusted due to inflation. There should be an internal policy on it. Therefore, top management should implement a c ost-based transfer prices because when competitive prices are not available, transfer prices may be set on the basis of cost plus a profit markup.